Pitch Week: Our Juried Competition for Authors of Promise.
Apply to Compete for: a Traditional Book Publishing Deal, a Literary Agent and a National Book-Launch PR Campaign!
The Pitch Week IX Application Period Ends November 1, 2016 or before as Acceptance is Now on a Rolling Admissions Basis.
Call Eberly today to claim your spot in the try-outs at (443) 963-6440.
Publishing any book takes both action and skill. But, how often does the “action” part
overwhelm you? Calling agents, sending query letters, contacting publishers, and learning the social media and marketing aspect of publishing: we make it easy and seamless when you try out for Pitch Week.
PITCH WEEK TRIALS
Pitch Week is a juried competition for authors of promise. The winner receives the “Literary Trifecta,” a prize (valued at $150,000) that includes a traditional book publishing deal, the services of a literary agent and a national marketing campaign.
Win, lose or draw, the experience of collaboration will make you a better author and your book a better read. Our book coaches will guide you every step of the way. Yes, a book coach! Exactly what you need to solve the confusing maze of the publishing world.
All finalists emerge with stronger manuscripts, compelling bios, snappy cover copy, better book-cover designs, strategies for marketing the book, and confidence to pitch before audiences.
By the time you’re done, you’ll have the credibility and presence you have hoped for vying for the dominant position, and strategizing on a first name basis with a literary agent, traditional publisher and national publicist.
It’s time to take action and throw your hat in the ring. Join the When Words Count Trials at When Words Count Retreat.
Call Eberly today to claim your spot in the try-outs at (443) 963-6440.
Don’t Take My Word For It…Please Listen to What the Winners Have to Say.
Vivian R Probst, Winner – Pitch Week I
Vivian’s first published novel, Death by Roses, began after her older sister died of Lou Gehrig’s disease in 2008. She worked through her grief for five years as she wrote her novel. She then submitted her manuscript to WWCR’s icon Pitch Week Competition and won!. Her hilarious novel, Death by Roses is now available in fine bookstores everywhere and at online retailers.
“During feedback, it wasn’t always easy to hear where the issues were in my story but it was important for me to hear. At times, it felt like I was sort of swimming towards a shore and they were right there with me so I didn’t drown in the process. If you’re serious and you really want to be nurtured and challenged to really complete your work and get into the marketplace, there is no better place that I can think of to accomplish this other than When Words Count Retreat.”
Marie White Small, Winner – Pitch Week II
Light and air, the roar of the river, kids chasing paper airplanes on city blocks, and crows watching from the treetops — these are the backdrops of Marie White Small’s lyrical novel, Stony Kill.
“Many talented writers are never seen or heard…Pitch Week is a rare opportunity to solve both problems.”
Lisa Smith, Winner – Pitch Week III
“As a successful New York City lawyer, I had the means and the skills to hide my cocaine and alcohol addiction from close friends, family and co-workers. One morning, something snapped – and I decided to stage my own intervention,” Smith explained. “In telling my story, my hope is to inspire others like me, and to give them the courage to get help.”
“It is so difficult for any new writer to get the attention of a literary agent, let alone a publisher. To have access to an A-team of publisher, literary agent and publicist, all working on my behalf, is extraordinary. And the support I have received from When Words Count Retreat has been tremendous. They gave me great feedback and encouragement throughout the process, and they are truly invested in helping to develop and promote undiscovered writers.”
Gary Vikan, Winner – Pitch Week IV
Author of Stolen and Sacred – The true-life adventures of museum director Gary Vikan as he deals with looted antiquities, crooked dealers, deluded collectors, and murky financial transactions are chronicled in an adventurous and insider’s look at a rarified world.
Read more about Gary’s win in The Baltimore Sun.
Charita Cole Brown, Winner – Pitch Week V
Author Brown takes us on her personal journey through her harrowing memoir, Defying the Verdict: My Bipolar Life. Charita Cole Brown was not expected to finish college, marry, and have children or a career. Yet Ms. Brown defied all the predictions. Walk these miles with this fiercely determined woman.
“Pitch Week V was an extremely harmonious group of contenders. We encouraged each other to present our ‘ A’ games. I personally benefited from the WWC expert coaching and editing services. I embraced the theater actor’s commitment to leave it all on the stage. And in a tight race won by two points.”
Camille Robinson, Winner – Pitch Week VI
Camille Robinson takes our hearts on a soul-stirring journey through the trials and tribulations of a Louisiana mixed-race slave owner who falls for a free woman in his employ in her African American Historical Romance novel Unloved.
“My experience was one that words cannot describe. I learned to hone my craft at WWC, while building dynamic relationships with talented authors. The journey was worth its weight in gold. The feedback and exposure to the judges were priceless. I’m more than grateful for having the opportunity to participate in such a life-altering competition.”
Sally Newhart, Winner – Pitch Week VII
Mule Tales from the French Quarter presents a concise history of the mule in the city of New Orleans, throughout the state of Louisiana and the United States. It is interspersed with stories told to Sally by the carriage drivers of New Orleans who spend their days, and nights, driving locals and tourists to the Cemeteries, the Garden District and around the French Quarter. It is an adult, sometimes inebriated, version of “Kids Say the Darndest Things.”
“There were six talented writers in Pitch Week VII. Each of us had professional help over a period of months to edit, perfect an elevator pitch, design a cover, write cover copy, put together a marketing plan and develop a basic book presentation. I was fortunate enough to win the publishing deal, but we all were in a position to self-publish at the conclusion of the competition. Each of us left the process at the When Words Count Retreat with five new friends and a home in Vermont where we plan to return forever. I know I will.”
Here’s Exactly What You’ll Learn from Pitch Week!
How to write stronger manuscripts
The knowledge and skill to pitch your book to industry professionals
Better book-cover designs
How to structure compelling bios and cover copy
How to make your pitch using the right technology
Greater poise and self-confidence in pitching your work and leading public book readings
Broader and more effective strategies for marketing your book
Equally important, you’ll have the opportunity to build personal relationships with the judges and to network with them. In other words, everyone wins. And the better each contestant performs, the greater the likelihood that he or she might walk away with an offer of their own.
We look forward to meeting you and reading your novel!
If you decide to step up and enter Pitch Week, we will hold your feet to the fire as you achieve the greatness you’ve always had inside you.
Steven C. Eisner, CEO